The "AEL" (auto-exposure locking) mode is likely the most often used automatic mode. Shutter speed and film speed are set via the dial at the top of the camera (see photo below). apparently makes a much higher profit on its sales. There is much better info on the camera there compared to the US site, even though Mamiya America Corp. See cool viewfinder pix at the Mamiya UK site. It is easy to use, lacking the oversupply of electronic gizmos that detract, in my opinion, from the essential task of taking photographs. The controls are laid out well, attesting to the simplicity of its design. You can tell that everything is put together solidly by just holding the camera in your hand. The Mamiya 7ii has a very nice, solid feel in your hand. Also, it is light enough to carry easily (it's 2.8 lbs w/80mm lens It has a set of the best lenses in any format (as far as MTF measurements I've found it to be just about perfect for all of the hand-held photography Hopefully the observations that follow will be helpful I've had mine since the fall of 2001 and have exposed a fair The Mamiya 7II is a 6x7 medium format (56mm x 69mm image size) rangefinder camera system withĦ available lenses.
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Hopefully, I'll have some new pictures to put up on Flickr before too long. Once they're back, I'll thaw out some film and start taking photos again. I'm sending my Mamiya 7ii kit and my 4x5 off to Precision Camera Works for a complete CLA on everything. So, I'm going to sell my Nikon D3 and maybe the Leice M8. fairly easy proof printing) I've come to the conclusion it isn't really that satisfying for me. While I like some aspects of digital (e.g. Since people come to this site as much for info about the Mamiya 7 as for largeįormat info, I'll try to keep this info updated as much as possible.įeb 2012: I've let the Mamiya 7 sit in its bag for about the past 4 or 5 years while I made an earnest (and expensive!) attempt to wrap my head around digital capture and workflow. It can be stuffed anywhere in your luggage.Mamiya 7 II 6x7 Medium Format Rangefinder Aside from the Rollei TLR, it is the only 120 camera ideal for traveling. The only delicate part is the exposure meter due to the lengthy wiring to the viewfinder and is prone to failure. I It has the best viewfinder/rangefinder I've ever seen.
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The Nikkor lens is really incomparably sharp with great contrast and superb color rendering. It was always a special camera with the ability to fold up to an ultra compact form, and when the Japanses took over the camera, they also took over the Bauhouse form and produced something very special. They made excellent cameras and the optics were always way above average and are much desired today long after the company ceased to make cameras or anything else for that matter. I'll not say anything negative about the Mamiya. I bought a Makina 67 about 18 months ago. No vibration whatsoever! 6x7 Velvia 50 scans on my Epson V-750 yields 150MP images that are breathtaking and razor sharp. The leaf shutter allows for hand-held shots down to 1/8s. My holy trinity of lenses are the 43mm, 80mm, and 150mm. In an age of digital manipulation, every photographer needs to own a film camera for truth, history, and posterity.
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I knew these cameras would be instant classics due to their special niche. The Mamiya 7 II adds multiple exposure over the regular 7, otherwise they’re essentially the same camera. These are the reasons why I bought the Mamiya 7 II 16 years ago over the Plaubel Makina. You won’t see much of a difference with a 4x loupe, but on a 8x loupe, the Mamiya 7 II lenses are clearly sharper. The Mamiya 7 II holds better alignment over time, film advance is more reliable, more rugged and less fragile, and more importantly, the lenses are sharper than the Plaubel Makina. The advantages of the Mamiya 7 II over the Plaubel Makina are substantial. Makina 67 – Spoiler: the Makina WinsĪbout Film Fridays: We recently launched an analog forum and in a continuing effort to promote the fun of the medium, we'll be sharing film-related content on Fridays, including articles from our friends at 35mmc and KosmoFoto. Click the link below for a more-detailed comparison and plenty of gorgeous sample photos. But the Makina won him over with its smaller size, better battery life and cheaper cost.
Mamiya 7 ii vs digital Patch#
But he found a lot to like about the Mamiya, including an easier-to-see rangefinder patch and slightly shaper lenses. Ultimately, for Hamish's shooting style, the Makina came out on top. 35mmc's Hamish Gill had the unusual opportunity to shoot with both back-to-back, and crown a personal favorite. But rarely are they directly compared to one another, until now. The interchangeable lens Mamiya 7 and fixed / collapsible lens Plaubel Makina 67 are titans of the medium format world, and both still command quite high prices on today's used market.